"I'm really enjoying this a lot and it's such a relief not to be in front of the camera". Ewan McGregor

"I'd been in 'Little Malcolm and His Struggle Against the Eunuchs', with Ewan and he asked me if I'd like to be involved and I hesitated for about a nanosecond before saying OK. It's a great idea and such a lovely story." Nick Tennant

"Ewan has been into the character and story from the very beginning. He's very involved, down to the tiniest detail. He worked closely with the writer at every stage of the script's development." Jill Robertson

"I understand now why directors look the way they do at the end of the day, as I can feel we're running out of time, we're never going to finish, running through my mind". Ewan McGregor

"The big thing with this story was there was no dialogue. I'd been script reading and felt that the one mistake people make over and over is to have too much dialogue, so we decided to do it without, which I really enjoyed." Mark Greig

"I think it's important that the girl he falls for is quite a normal ordinary girl, she's not incredibly gorgeous, as he's quite a sad man and it's far more touching if he's fantasizing about someone he could probably get." Kay Curram

"I have the responsibility to put the whole thing together but I can only do that by surrounding myself with professional technicians like Brian Tufano. I'm behind the wheel to an extent but he takes my thoughts and ideas and puts them on the screen." Ewan McGregor

"Working with Brian has enabled Ewan to relax as he's someone Ewan is familiar with having worked with him on a number of films. I think it's made quite a difference. And Brian, who is famous for being strapped to anything from a skate board to a wheelchair to get the shot, has been pulling out all the stops." Jill Robertson